Dimensions: height 290 mm, width 218 mm
Copyright: Rijks Museum: Open Domain
Curator: Here we have "Buste van een vrouw," or "Bust of a Woman," a pastel drawing attributed to Dionys van Nijmegen, created sometime between 1715 and 1798. Editor: Oh, she has a rather dreamy quality, doesn’t she? Look at the soft rendering, those blurred edges… it's almost like catching a glimpse of a memory. There's a hazy ethereality here. Curator: Indeed! Van Nijmegen certainly captures that Rococo fondness for elegance and delicate beauty. The pastel medium itself lends to that sense of lightness, the way the pigment sits on the paper—it's all very tactile and almost fragile. Editor: It makes you wonder about the labour of making this, too. Pastels are quite specific, requiring careful grinding, mixing... Were these mass-produced, or more unique to individual artists' workshops? The material properties certainly influence the outcome—the gentle build-up of color wouldn’t be the same in oils. Curator: That's right, pastels were experiencing a surge in popularity then. The pigment's immediacy allows the artist to bypass some of the lengthy processes involved in oil painting, fostering greater spontaneity. I always wonder, when looking at portraits like this, what her dress was made from. Was it real silk, made from silkworms? It probably cost a pretty penny... Editor: And speaking of bypassing processes, the portrait format itself suggests an interesting dialogue between the sitter and artist. The commission suggests certain wealth, status—it’s about preserving and presenting an image of oneself, a sort of proto-Instagram, in material form! Curator: Very well put. She seems caught between worlds – gazing wistfully away. One wonders what occupies her thoughts in that very moment? Is she looking toward her own future? I'd venture a guess this pastel served to portray beauty, perhaps a young woman embarking upon her new life and societal duties? Editor: A fitting purpose, indeed. I'll definitely be reflecting on how our choices of material form impact both the maker and consumer here. Curator: And I'll remain musing on the ephemeral emotions radiating from the bust, a delicate soul rendered with beautiful grace!
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