Portret van J. A. Moll by Johann Peter Berghaus

Portret van J. A. Moll 1856

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drawing, pencil

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portrait

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drawing

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pencil sketch

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caricature

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pencil drawing

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pencil

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portrait drawing

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academic-art

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portrait art

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fine art portrait

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realism

Dimensions: height 211 mm, width 170 mm

Copyright: Rijks Museum: Open Domain

Curator: This pencil drawing from 1856 by Johann Peter Berghaus is entitled "Portret van J.A. Moll." It resides here at the Rijksmuseum. Editor: Immediately striking! There's a somber tone evoked by the stark pencil strokes, offset by the dandyism in his facial hair and attire. It’s quite a study in contrasts, would you agree? Curator: Precisely. Look at how Berghaus utilizes the gradations of the pencil, achieving volume and texture primarily through line work. The composition, essentially symmetrical, anchors the figure. Observe, too, the contrast between the meticulously rendered face and the more loosely defined body. Editor: The man's gaze really holds you, doesn't it? The artist has certainly given significance to his status, even with the somewhat simple style and presentation. Those mutton chops and the elaborate bow tie… they tell a tale of social standing and cultural expectations. There’s a vulnerability there, though. Almost melancholy. Curator: An excellent point. One sees it echoed throughout similar works from this era; it certainly places "Portret van J.A. Moll" firmly in the context of 19th-century realism, particularly in the figure's candid and unidealized portrayal. Consider the function of portraiture itself: an emblem of social status and individual identity. Berghaus has really worked with tonal scale in a masterly manner to achieve this aim. Editor: Yes! It’s almost a confrontation with mortality, this unflinching stare immortalized in graphite. Those sidelong glances, just visible, were fashionable during that time, giving us insight into a specific historical moment. A very different meaning from the candid portraits taken today. Curator: Indeed. What at first glance appears a simple study reveals complexities upon deeper viewing. It certainly emphasizes the power of portraiture as both an artistic and societal document. Editor: This work has reminded me that portraits can be far more than records; they’re conversations across time. Curator: Absolutely. Berghaus has really offered us something to consider.

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