"Caesar Makes a Talisman", Folio from a Shahnama (Book of Kings) by Abu'l Qasim Firdausi

"Caesar Makes a Talisman", Folio from a Shahnama (Book of Kings) 1305 - 1365

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painting, paper, watercolor, ink

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narrative-art

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painting

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figuration

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paper

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watercolor

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ink

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coloured pencil

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orientalism

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men

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islamic-art

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history-painting

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miniature

Dimensions: H. 1 5/8 in. (4.2 cm) W. 4 5/16 in. (11 cm)

Copyright: Public Domain

Curator: Just look at this. It's mesmerizing. We're gazing at "Caesar Makes a Talisman," a folio plucked from a Shahnama, or "Book of Kings." Created sometime between 1305 and 1365, it resides at The Met, a beautiful dance of ink, watercolor, and paper. Editor: The talisman seems like the only thing missing—ironic for something said to possess magic. I am struck by how the palette conveys a strange blend of regality and foreboding, what do you think? Curator: Totally! The careful composition and the almost dreamlike wash of colors absolutely contribute to that tension. Look at the minute details! That incredibly fine linework and those gorgeous washes! It speaks to me about craft, time, the preciousness of storytelling. I almost feel a responsibility to carry this story on somehow. Editor: Exactly. And within these intricate details lies a complex interplay of power dynamics. Consider Caesar, embodying authority, and the act of crafting a talisman itself. It is an emblem of control and perhaps a comment on the construction of legitimacy through belief systems and ritual practices. Note that even with its vibrant colors, it retains a flattened perspective. Curator: Absolutely. And beyond the socio-political dimensions, I think it hints at the human condition, too. The desire to shape destiny, the lure of protection. The incompleteness suggests that all efforts toward perfection are flawed, unfinished, as it speaks volumes about the ever-elusive nature of security and the vulnerabilities inherent to those in power. I also detect elements of melancholy here… a sense of something forever just out of reach. Editor: I can appreciate that; it’s interesting you see melancholy, I detect hubris and possibly even violence in the pursuit of certainty—as that pursuit frequently reinforces hierarchies of power. Overall, it's difficult to come away from this with a positive aftertaste, a point which really resonates today. Curator: And in this lies the folio’s magic, in how a seemingly simple historical scene is rife with enduring questions about power, safety, and human fallibility, the search for stability amid the ever-changing tides of existence. Editor: Definitely food for thought. It’s a powerful reminder that what we believe is really the source of power, not the objects themselves.

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