Standing Man 1658

Editor: This is Cornelis Saftleven’s “Standing Man,” a drawing, possibly from 1654 based on the inscription, at the Harvard Art Museums. It feels like a quick sketch, capturing a moment of everyday life. What do you see in terms of its production? Curator: I notice the deliberate use of readily available materials: paper and chalk. The artist emphasizes accessibility, blurring the line between high art and the daily lives of ordinary people. Consider the labor involved, both in the artist’s hand and the likely profession of the man depicted. How do these elements inform our understanding? Editor: I see what you mean, it's not just a portrait, but a document of material conditions. I hadn't considered that. Thank you.