Dimensions: 136 mm (height) x 96 mm (width) (bladmaal), 130 mm (height) x 83 mm (width) (billedmaal)
Curator: This is an engraving of Christian II, created in 1525 by Jacob Binck, a northern Renaissance artist. It's part of the collection at the SMK, the Statens Museum for Kunst. Editor: Immediately, the meticulous detail catches my eye. The density of line work, the almost tangible fur texture… it speaks volumes about the labor and the engraver's skill. What an intense undertaking! Curator: Absolutely. And it’s all intentional. Notice the coats-of-arms crowning the composition; the lion and other beasts speak to Christian’s dominion. He’s purposefully framed as a powerful figure, even if he had a tumultuous reign. Editor: Those heraldic symbols look a bit formulaic, don't you think? However, look at that fur—probably ermine? Imagine the economics involved! Acquiring the pelts, preparing them... That fur collar wasn’t just about warmth, it was about conveying status, wealth, consumption, and the control over natural resources. Curator: It goes deeper, I think. Fur in portraits of this era often symbolized both wealth and virtuous rule. Think of wild animals – to wear their skin means you are strong, a leader, perhaps one who can wrestle one's inner demons. Christian certainly had demons. Editor: Hmm…maybe, or maybe it's about displaying raw economic power? The physical labour involved in turning the king's image into an engraved plate. That contrast, the soft luxurious fur with the rigidity and industrial element of the medium, suggests the clash of early capitalism and traditional structures. Curator: Fascinating. And I see how you might connect the material to broader socioeconomic forces. But there is no way to separate the politics of an era from its spiritual beliefs. Consider, also, that this print was produced after his deposition; maybe it functions to bolster the morale and nostalgia for royalty, especially for the people who profited greatly. Editor: True. This little print opens so many doors, so many different lenses to view a ruler, his time, and the meaning of material culture! I could contemplate this a while. Curator: Agreed. Every look unearths a different detail. Thanks for the stimulating conversation!
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