Twee vrouwenfiguren, zittend naar rechts 1600 - 1659

This drawing of two female figures was rendered by Simon Vouet some time in the 17th century. One of them is holding a tablet, a symbol of law, knowledge and divine decree since antiquity. Tablets, in ancient Mesopotamia, represented fate in the hands of deities, a motif echoed in classical antiquity with the Moirai, goddesses of destiny, one of whom held a tablet upon which the thread of life was measured. We see this motif recurring throughout the Renaissance with the Judgement of Christ, where the verdict is inscribed on the tablet, linking it to the divine. It speaks to our collective memory, tapping into a subconscious understanding of destiny, law, and power. Vouet’s figures, with their intense, upward gazes, evoke a powerful emotional response, reflecting our deepest anxieties and aspirations, perpetually oscillating between hope and fear. The symbol of the tablet is not static but cyclically progresses through our cultural memory, reappearing, and evolving in form and meaning.