Figuurstudies 1893

These figure studies were sketched by George Hendrik Breitner, likely near the turn of the century with graphite on paper. The rapid, almost ghostly outlines evoke more than just a likeness; they hint at the transient nature of urban life. Observe the recurring motif of hands, seemingly floating, disembodied. This gesture, reminiscent of supplication or offering, echoes across centuries. Think of ancient votive offerings, where hands symbolized devotion. Later, we see it re-emerge in Renaissance art as symbols of generosity and divine grace. Here, though, the hands seem adrift, disconnected. Perhaps Breitner uses this age-old symbol to convey a modern sense of alienation, a subconscious commentary on the fragmenting human experience amidst the burgeoning metropolis. This isn't a linear progression but a cyclical return, a primal gesture adapted and imbued with new emotional resonance in a modern age.