Portret van Frans II Rákóczi, prins van Transsilvanië by Jacob Folkema

Portret van Frans II Rákóczi, prins van Transsilvanië 1739

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print, engraving

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portrait

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pencil drawn

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baroque

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print

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pencil sketch

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old engraving style

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pencil drawing

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portrait drawing

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history-painting

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engraving

Dimensions: height 138 mm, width 96 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a print from 1739, a portrait of "Frans II Rákóczi, Prince of Transylvania" by Jacob Folkema, held at the Rijksmuseum. It has an intensely serious, regal feel. How would you interpret this work? Curator: Immediately, I am drawn to the iconography. Note the armour: what does it signify to you? It points to strength, nobility, a readiness for conflict, but also perhaps a certain vulnerability. This is carefully crafted symbolism. It speaks to Rákóczi's role as a leader, specifically the leader of a Hungarian uprising against the Habsburgs. Editor: So, the armour isn't just decorative. It’s a political statement? Curator: Precisely. The image seeks to portray him in a specific way: think of it as an early form of political branding, almost like a visual propaganda. How do you read his expression? Does it communicate anything about his mindset or reign? Editor: I see a mix of determination, but also maybe a hint of sadness in his eyes. Curator: A powerful observation! Consider how the artist used shading to convey those emotions, drawing on a well-established tradition of portraiture used to project power but also subtly hint at the weight of leadership. These weren’t simply images; they helped create legends. How might that image function differently for people then compared to now? Editor: It's interesting to think about the impact the image could have had in shaping public perception. Curator: Indeed. It is all these layers, from the armor to his gaze, the conscious and unconscious, that invite us to reconsider symbols and understand how meanings evolved in visual culture.

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