Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Thomas Girtin’s "Kelso Abbey," and though it’s undated, Girtin lived in the late 18th century. It's an engraving, I believe. What strikes me is how ruined and romantic the abbey appears. What social messages might this image convey? Curator: Well, the ruin depicted romanticizes the past but also speaks to the dissolution of religious institutions in British society and the public's fascination with these relics. The engraving itself suggests broader distribution; it was made to be widely consumed. Editor: So, was it meant to be more of a political statement, then, reaching a wider audience? Curator: It certainly participates in a larger cultural dialogue about national identity and the legacy of power, making it accessible to the rising middle class. It prompts us to consider who consumes such images and why. Editor: That makes me rethink how I initially viewed it. Thank you! Curator: My pleasure. It’s fascinating how art reflects the social and political currents of its time.