Deformatie die een object ondergaat wanneer iets wordt bekeken met het linker- of rechteroog by Sébastien Leclerc I

Deformatie die een object ondergaat wanneer iets wordt bekeken met het linker- of rechteroog 1679

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drawing, print, engraving

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drawing

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baroque

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print

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perspective

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line

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academic-art

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engraving

Dimensions: height 107 mm, width 63 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a rather intriguing engraving by Sèbastien Leclerc I, made in 1679. Its full title is "Deformatie die een object ondergaat wanneer iets wordt bekeken met het linker- of rechteroog," or, "The deformation an object undergoes when viewed with the left or right eye." Editor: My first thought is...diagrammatic! It feels like peering into a complex visual equation. So many lines, so meticulously rendered. It's both captivating and a little bit sterile. Curator: Well, that cool precision is inherent in Leclerc's methods. Consider that the image is an engraving; the lines are physically etched by hand into a metal plate. This means the creation relies on skilled labor but also precision instruments of the printing press. Leclerc, as a member of the Royal Academy, would have approached it as both a craftsman and an academic. Editor: Precisely! Look how it reflects the rise of scientific rationalism. It is revealing not just perspective, but the social belief that vision itself is a kind of mathematical equation ready to be solved, or in this case printed. This image reveals so much about 17th-century Europe's epistemological confidence. Curator: And its assumptions. Notice how this illustration emphasizes the artist's understanding of perspective as a set of rules, rather than a matter of subjective perception. It aims for objective truth, which in itself is a philosophical and even political statement. Editor: I see that now, it emphasizes an authoritative mode of looking and knowing. The print visualizes who had access to "seeing" the world correctly. Curator: Absolutely. It really does lay bare how scientific illustrations played a pivotal role in solidifying power structures during that time. Editor: Well, this has truly opened my eyes, so to speak, about the intersection of art, science, and social order in the 17th century. Curator: Agreed. It highlights how even seemingly technical images are embedded within cultural frameworks, and material ways of production!

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