Het volk bij de neus genomen, 1796 1795 - 1796

Pieter van Woensel's etching, made in 1796, presents a satirical view of Dutch society influenced by revolutionary ideals. Note the prominent nose, pierced by rods manipulated by figures below, and the vessel labeled "Freedom, Equality, Brotherhood" dispensing illusions, highlighting the gullibility of the masses. The motif of leading someone by the nose is ancient, a visual shorthand for manipulation found across cultures. Consider how it echoes in commedia dell'arte, where characters are easily deceived, or in ancient Roman satires mocking political naivete. The act of piercing the nose is particularly striking, conjuring images of subjugation and control. This resonates with primal fears of being dominated, tapping into the collective anxiety of a society undergoing rapid change. The "Freedom" vessel, with its deceptive illusions, symbolizes the intoxicating yet ultimately hollow promises of revolution. This motif isn't just political; it speaks to the universal human susceptibility to grand narratives, a theme that endlessly resurfaces. This image becomes a powerful representation of the cyclical nature of manipulation, inviting viewers to reflect on their own susceptibility.