Portrait of Captain Charles Myrick (Study for 'Embers') by Eastman Johnson

Portrait of Captain Charles Myrick (Study for 'Embers') 1879

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painting, oil-paint

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portrait

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portrait

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painting

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oil-paint

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genre-painting

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academic-art

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realism

Copyright: Public domain

Curator: We're looking at Eastman Johnson's "Portrait of Captain Charles Myrick," a study created in 1879 for his painting, "Embers." It’s oil on canvas. Editor: The immediate impression is somber. The dark palette and averted gaze give it a reflective, perhaps even melancholic, air. There's a definite contrast between the almost monochromatic dark clothing and the brighter, more textured treatment of the face and hands. Curator: Myrick, the sitter, served as a harbor master. It is significant to remember Johnson’s work frequently engaged with the lives of ordinary individuals, embedding them within larger narratives about American identity. It invites us to consider his role within a maritime community. The pipe becomes an important tool through which Myrick projects his class and role. Editor: Precisely. That pipe and hat serve as crucial formal elements guiding the composition. Notice how the angle of the pipe mimics the slope of his shoulders, creating a visual echo, a repetition that draws the eye downward, reinforcing the somber mood. The use of chiaroscuro is also masterful— the way the light models his face and hands emphasizes their age and texture, giving them a tangible quality. Curator: Contextually, we can interpret Myrick as embodying the aging working class whose labor often went unseen. This portrayal asks viewers to grapple with notions of respect and visibility in the face of marginalization. This painting emerges as a poignant reflection on class. Editor: I see it more as the study of an individual. I am moved by how Johnson utilized texture—thick impasto in the face, smoother application elsewhere. I’m very interested in seeing it next to “Embers.” Curator: I agree, a study side by side with the work for which it was produced is quite a treat! Seeing the artistic decisions unfold is enlightening and moving, really prompting important inquiries regarding artistic agency and identity. Editor: Yes, from a purely compositional standpoint, "Portrait of Captain Charles Myrick" is beautiful.

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