Hanoverian Horse 1822

Editor: This is Théodore Géricault's "Hanoverian Horse," a print at the Harvard Art Museums. There's a stillness to it, like a posed portrait. What stands out to you? Curator: The print offers a glimpse into the socio-political role of equestrian imagery. Horses, particularly those of Hanoverian breed, were potent symbols of aristocracy and power. Editor: So, the horse isn't just a horse? Curator: Precisely. Consider how Géricault, even without explicit context, subtly reinforces established hierarchies through his artistic choices. The groom's placement, his attire—all contribute to a narrative of class and control. How does that reading resonate with you? Editor: It shifts my perspective; I was just looking at the pretty horse! Thanks. Curator: It's a reminder that art often operates within—and comments on—existing social structures.