Gezicht op de Pincio vanuit het zuidoosten, Rome 1609

Gerard ter Borch created this drawing of the Pincio in Rome from the southeast in 1649. The Pincio, one of the hills of Rome, was in the 17th century a popular destination for wealthy Europeans on the Grand Tour. This drawing offers us insight into the culture of travel and artistic exchange that defined the period. Borch, a Dutch artist, captures a panoramic view of the city, highlighting its ancient ruins and Renaissance architecture. These would have been familiar sites for Europeans who studied classical antiquity. The drawing provides a glimpse into the social conditions that shaped artistic production. Borch's patrons likely sought images of Rome as souvenirs of their travels. The art market was increasingly international, with artists catering to the tastes of a cosmopolitan clientele. Understanding this artwork requires considering the role of art institutions. The Rijksmuseum, where this drawing is housed, plays a crucial role in preserving and interpreting cultural heritage. By studying archival materials and historical texts, we can gain a deeper appreciation of this drawing's significance within its social and institutional context.