Kayoi, from the series Seven Beautiful Women (FÅ«ryÅ« nana komachi) by Kitagawa Utamaro 喜多川歌éº?"Late Edo period

Kayoi, from the series Seven Beautiful Women (FÅ«ryÅ« nana komachi)  late 18th to early 19th century"

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Dimensions: Paper: H. 38.7 cm x W. 25.4 cm (15 1/4 x 10 in.)

Copyright: CC0 1.0

Curator: Kitagawa Utamaro's print, "Kayoi," part of the series "Seven Beautiful Women," presents us with a tender scene rendered in delicate color. What are your immediate impressions? Editor: The curve of the mother's neck as she cradles her child…it evokes such a timeless, almost universal image of maternal love and vulnerability. The vulnerability extends to both mother and child, I would add. Curator: Absolutely. It’s worth noting that, within the socio-political context of the Late Edo period, such images of women, particularly mothers, played a complex role in defining and sometimes idealizing their societal position. Editor: Yes, the intimacy resonates, but the symbolism of the closed eyes suggests a deeper introspection, perhaps a reflection on the burdens and blessings intertwined within motherhood. Curator: Examining this work, and understanding the societal pressures placed on women then, allows us to recognize the strength inherent in that intimacy. Editor: Exactly. These layers of meaning add to its beauty, reminding us how art can capture complex emotions.

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