Death of Mary Magdalen c. 17th century

Curator: Here we have François Tortebat’s print, “Death of Mary Magdalen,” held by the Harvard Art Museums. The medium, etching, allows for incredibly fine lines. Editor: There's such a dreamy quality to this; she seems to float between worlds, doesn't she? Like a beautiful Ophelia. Curator: The composition directs our attention to Magdalen's languid pose, while the angels and skull beside her introduce a meditation on salvation and morality. Editor: That skull adds such a stark contrast to the ethereal scene. It's a reminder of mortality amidst all this heavenly grace. Curator: The etching technique itself—all those cross-hatched lines—allowed Tortebat to carefully control the shadows and the textures. Editor: It really does create such a sense of depth and drama. It's a story etched in light and shadow. Curator: A prime example of how material processes intersect with the subject matter in art of this era. Editor: A poignant dance between life, death, and eternal longing, perfectly captured.