Sword knife hilt by Shigemitsu

Sword knife hilt 1500 - 1900

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metal, engraving

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metal

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asian-art

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landscape

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ukiyo-e

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geometric

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decorative-art

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engraving

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miniature

Copyright: Rijks Museum: Open Domain

Curator: The artwork before us is titled "Sword knife hilt," dating roughly between 1500 and 1900. It is rendered in metal, featuring an intricate engraving. Editor: My immediate reaction is the stark contrast. The dark metal surface is punctuated by these delicate landscape elements, which are perhaps gilded. It feels simultaneously strong and fragile. Curator: Absolutely. This object speaks to the socio-cultural status inherent in arms ownership. What narratives might it have played into regarding notions of gender, race, or political identity during that period? Who held the power to own and display such an artifact? Editor: Right, think about the labor involved here. The metallurgical skills to craft the hilt itself, then the precision required for the engraving... Each step involved specialized knowledge and manual skill, potentially marking class distinctions among metalworkers, engravers, and the ultimate commissioner of the hilt. Curator: And consider the Ukiyo-e influence, a world of transient beauty rendered permanently on a weapon's hilt. It feels deeply ironic to place scenes of tranquility upon an object intended for combat, but that might invite critical reflections on how such conflicting views of art shape and contest power relations in art and society at large. Editor: This blending of art forms is fascinating. Is it decorative art elevated to high art? Or high art humbled into a functional object? This hilt complicates such strict categorizations, suggesting that the value lies in how materials and the labor upon them coalesce into cultural products. Curator: It also hints at how material culture constructs collective and individual memories, both aesthetic and historical. Examining similar examples in the future could invite critical perspectives and analyses on the art form to reveal previously unrecognized historical influences. Editor: For me, the object emphasizes how beauty and utility are not mutually exclusive; it highlights the layered history encoded in this piece, a testament to human ingenuity and our complicated relationship with both conflict and craft.

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