Canal with Bridge and Gondola 19th-20th century

Curator: Looking at Denman Waldo Ross’s “Canal with Bridge and Gondola,” the first thing that strikes me is the texture— the thick impasto and loose brushwork almost vibrate with light. Editor: Yes, there’s definitely a plein air quality to it. This painting brings up questions about tourism and the commodification of Venice, doesn't it? Curator: Absolutely. And considering Ross’s background, it’s impossible not to think about the context of art production at the time. What kind of materials were available to him, and where did he source them? Editor: Good point. This artwork's availability at the Harvard Art Museums, also raises questions about institutional power and representation in art history. Curator: Indeed. Ultimately, both the physical properties of the artwork and its historical placement contribute to its lasting impact. Editor: A fascinating interplay between materials, history, and the ever-changing cultural landscape.