Binnenplaats van de moskee van Mohammed Ali in Caïro by Johannes Lodewijk Heldring

Binnenplaats van de moskee van Mohammed Ali in Caïro 1898

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photography

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landscape

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photography

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cityscape

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islamic-art

Dimensions: height 109 mm, width 82 mm

Copyright: Rijks Museum: Open Domain

Curator: Soaking in the sepia tones, this feels like a whisper from the past, doesn't it? There's a certain solemn grandeur… a kind of patient stillness. Editor: Absolutely, it’s wonderfully evocative. This photograph, taken around 1898, is entitled "Binnenplaats van de moskee van Mohammed Ali in Caïro." It was captured by Johannes Lodewijk Heldring. Curator: Heldring... I don't know the name. Is he from a local context, perhaps? The colonial gaze of early photography tends to do interesting things. Editor: Heldring was a Dutch photographer, which situates him within a broader tradition of European travelers documenting the East. We need to acknowledge how power dynamics are interwoven with these kinds of images. This isn't just a picture, but an historical document laden with potential issues of representation and the colonial encounter. Curator: You know, beyond the socio-historical, I’m drawn to the visual harmony, especially the interplay of light and shadow dancing across the courtyard. The geometry is absolutely mesmerizing, but those repetitive ovals within the tiling... what's your take on that? Editor: Repetition is key within Islamic art. It isn't merely decorative. You are invited to consider infinity. You move towards a meditative and spiritual contemplation, away from the constraints of representational forms. Curator: Right, I see it... something of a divine echo across the human plane. You look for symbolism there, rather than individual depictions. What’s also catching my eye are those almost cloudlike formations within the dome. It suggests both structure and an ethereal transcendence all at once. It creates a complex tension... Editor: Photography provides an intriguing intersection for studying those tensions, a tool inherently linked to realistic portrayal being employed in such spiritual context, as well as political and historical ones. Fascinating. I’ll never look at it quite the same way again. Curator: Indeed, our encounters always shift, change. So much still resides within this image from Cairo awaiting fresh engagement.

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