Familiegeluk 1831 - 1899

Editor: So, here we have "Familiegeluk," or "Family Happiness," by David Bles, sometime between 1831 and 1899. It's a drawing done with coloured pencil, watercolor, and ink on paper. It gives such an intimate feel – domestic, quiet. What do you see when you look at it? Curator: Well, immediately I’m drawn in, aren't you? It whispers of hushed tones and tender moments. Look at how Bles captures the interior – the implied warmth of that fireplace, the soft light on the mother's face as she gazes at her child. The father serenades them – perhaps not the most accomplished violinist, but heartfelt nonetheless, don’t you think? It’s interesting, because although the setting feels like the present day of the artist, I think it feels historical to our eyes! Editor: I hadn't really thought about it that way, the violinist may not be too good… So the work presents a perhaps slightly idealized, sentimental vision of family life. Is it just me, or does that make it a bit…staged? Curator: "Staged" is interesting. Perhaps "posed" is more apt. Think of those old family portraits; they're constructed realities, right? We tend to assume old photos and art of family is "true." How naive of us! Bles might be offering us a glimpse behind that "posed" facade and a knowing smile, just like parents often do today! Or maybe it is meant as completely real... food for thought, no? Editor: Yeah, food for thought! That definitely changes how I see it. It's both real and constructed. The imperfections of their life adds a layer of intimacy that’s now not only interesting, but so important to the piece! Curator: Exactly! Art reflects life, life reflects art. The circle goes 'round!