Translation of the Body of Saint Mark c. 17th century

Editor: This etching, "Translation of the Body of Saint Mark" by Jacques Callot, is quite small, only a few inches. The procession feels so formal, almost like a solemn stage production. What’s your take on this piece? Curator: It's interesting you say that! Callot really packs a punch in such a small space. I see it as a carefully choreographed dance between devotion and civic pride. The oval frame almost acts like a spotlight, drawing us into this moment of veneration. Editor: So it's more than just a religious scene? Curator: Precisely! Callot excelled at capturing the spirit of his time. This piece speaks to Venice's deep connection to its patron saint. What do you think about the architectural elements? Editor: I didn't even notice them much, I was so focused on the figures. But now that you mention them, the buildings give a sense of real space. Curator: Exactly! Callot transforms a tiny copper plate into a grand stage. Editor: I'll never look at small prints the same way again. Curator: Me neither! There's always more to discover, isn't there?