Sterfbed van Prins Maurits, 1625 by Anonymous

Sterfbed van Prins Maurits, 1625 1625

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print, engraving

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portrait

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medieval

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baroque

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pen drawing

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print

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history-painting

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engraving

Dimensions: height 179 mm, width 240 mm

Copyright: Rijks Museum: Open Domain

Curator: Editor: Here we have “Sterfbed van Prins Maurits, 1625,” a print made in 1625. The scene depicts Prince Maurits on his deathbed. It feels like a very formal, staged moment, even in death. How do you interpret this work? Curator: The print offers a glimpse into the constructed nature of power, particularly at a moment of vulnerability. Deathbed scenes were often staged and circulated as prints to control the narrative surrounding a ruler’s legacy. What do you notice about the figures surrounding Prince Maurits? How does their presence shape your understanding of the scene? Editor: They all seem so still and composed, almost like they're posing for a picture rather than mourning a loss. The man in the center is holding Maurits' hand as if signing a deal. It looks like everything had to be official, and they made sure this moment was captured and circulated to solidify the dynasty's future. Curator: Precisely. Think about the symbolism embedded in the scene. The ornate bed, the carefully positioned figures – they all contribute to a carefully curated image of authority and succession. How does understanding the historical context of political power struggles influence your perception of the print? Editor: Knowing that these prints were used as propaganda gives the scene a new layer of meaning. It becomes less about grief and more about maintaining control, even in the face of death. It seems more calculating now. Curator: Yes. By examining the role of this image and how it participates in larger conversations of power, gender, and legacy, we recognize the cultural meanings assigned to the event depicted. Does thinking about the print as a carefully constructed piece of political messaging change your view on the historical figures present? Editor: It makes me see them as active players in a much larger game, concerned about projecting an image of stability and control rather than simply mourning the Prince. Curator: Absolutely, and hopefully, looking at it through this lens enriches your appreciation of its complexities.

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