Slag bij Chiari, 1701 by Jan van Huchtenburg

Slag bij Chiari, 1701 1729

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print, engraving

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baroque

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print

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old engraving style

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landscape

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cityscape

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history-painting

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engraving

Dimensions: height 456 mm, width 577 mm

Copyright: Rijks Museum: Open Domain

Curator: So here we have "The Battle of Chiari, 1701", made by Jan van Huchtenburg around 1729. It's currently housed right here in the Rijksmuseum. Editor: Immediately, the drama of the engraving sucks you in! The dense concentration of figures across the landscape contrasted with the expansive, almost serene sky – feels biblical in scale, doesn't it? Like looking at the world on the eve of utter destruction or grand re-making. Curator: Van Huchtenburg was quite well known for these battle scenes, and this is an engraving. It’s interesting to consider what the production of prints meant, and how such depictions could disseminate specific ideologies about warfare. Not exactly documentary photography, is it? Editor: Not at all! But that's what fascinates me. The tools and materials used tell their own story: metal plates, acid etching, the press itself. Mass production even then played into creating national myths. Was this image designed for consumption by those directly involved, to mythologize what they fought through? Or was it aimed at the wealthy to admire from afar? Who had the power to shape the visual story? Curator: Ah, yes, those essential questions around the 'who, what, and why' of art production! The Baroque style lends itself so perfectly to this grandiose retelling of history. All that swirling motion! The artist clearly romanticizes the military figures, but, in terms of emotional tone, don’t you get a sense of underlying chaos too? Editor: Chaos meticulously crafted. Notice how the deep lines carve the sense of smoke and the frantic action? The lines themselves – grooves physically cut into the metal through labour and technical ingenuity – echo the physical costs of warfare, mirroring a deeper unease about violence despite celebrating victory. Curator: Perhaps this image gives us cause to pause, inviting us to meditate on the stories we tell ourselves about war, about its representation. Editor: Exactly! A layered interrogation of the tools that build perceptions – a metal plate echoing the forging of national identity. Let's let those echoes resonate.

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