drawing, ink
drawing
ink
intimism
calligraphy
Copyright: Rijks Museum: Open Domain
Curator: This postcard, “Briefkaart aan Philip Zilcken,” may have been sent around 1892. It’s crafted with ink as a drawing of sorts. What's your immediate impression, Editor? Editor: It’s intriguing! The ink seems almost hesitant, wavering, which gives the address a feeling of… what? Anticipation, perhaps? Or even a gentle sort of melancholy, knowing the ephemerality of correspondence. Curator: The script is indeed striking; almost a type of personal calligraphy, leaning toward an Intimist style, as if we're peering into a very private exchange. These postal exchanges allowed figures in the arts community to communicate their philosophies or even just the mundane tasks of social coordination, don’t you think? Editor: Absolutely, you feel as though you are viewing their correspondence. To think Zilcken, "artiste-peintre," received this; it gives me goosebumps, truly. Did it ever reach its intended recipient? Curator: Probably, the stamp suggests it went through the postal system! What I find interesting, however, is what its preservation says about our cultural institutions and what survives. Is a receipt confirmation any less valuable than an official painted canvas? Is it a glimpse into a friendship? An acquaintance? Was it love? Editor: It invites you to fantasize a whole history and makes the artistic practice intimate. And the very survival of something so fragile speaks volumes. It has been curated and kept, it became a part of a greater collection... which is simply amazing to imagine, don't you agree? Curator: I do. Each penned flourish carries a weight beyond its utilitarian function. This “Briefkaart aan Philip Zilcken” connects us to the subtle, interwoven networks that shaped artistic discourse and perhaps it even reflects their friendships back then!
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