Card 301, from the Actors and Actresses series (N45, Type 5) for Virginia Brights Cigarettes by Allen & Ginter

Card 301, from the Actors and Actresses series (N45, Type 5) for Virginia Brights Cigarettes 1885 - 1891

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drawing, print, photography

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portrait

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drawing

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print

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photography

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coloured pencil

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watercolour illustration

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academic-art

Dimensions: Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Copyright: Public Domain

Editor: So, here we have Card 301 from the Actors and Actresses series, made by Allen & Ginter between 1885 and 1891. It's a small portrait, almost sepia-toned, that gives it a sense of nostalgia and elegance, I think. How would you interpret this work in the context of its time? Curator: This card is fascinating because it encapsulates so many layers of social and political commentary. These cards were essentially marketing tools, but they also participated in the construction of celebrity and ideal femininity. Who was this actress, and what roles did she play? What messages were conveyed by choosing *her* image to sell cigarettes? These are vital questions. Editor: That’s a really interesting point about constructed femininity. Do you think the setting and props contributed to this? Curator: Absolutely. Notice the soft lighting, the delicate flowers in her hair, the lace on her dress. These details aestheticize her image but also reinforce the period’s limited, decorative roles for women. Cigarette cards might seem frivolous, but they normalized this kind of objectification within burgeoning consumer culture. It intersects directly with women's limited power in the public and private spheres at the time. Editor: So it’s not just a pretty picture, but it says a lot about society’s views on women and consumerism. Curator: Exactly. How were women, especially actresses, being used to promote consumer products and what did this mean in the fight for social change? It’s about situating seemingly simple artifacts within a broader tapestry of gender, class, and power. It asks how commercial media has reinforced or challenged those narratives. Editor: Wow, I’ll definitely look at these cards in a new light now, thinking about them as active players in a broader cultural narrative rather than just vintage collectables. Thanks! Curator: My pleasure. Recognizing those narratives allows us to unpack the visual culture all around us.

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