Apostel Andreas by Jacques Granthomme

Apostel Andreas c. 1588 - 1622

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print, engraving

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portrait

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print

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figuration

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11_renaissance

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line

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history-painting

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italian-renaissance

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engraving

Dimensions: height 150 mm, width 103 mm

Copyright: Rijks Museum: Open Domain

This engraving of the Apostle Andrew was created around 1617 by Jacques Granthomme. Notice Andrew's posture: his head rests pensively on his hand, a gesture laden with symbolism. This posture—thinker-like—echoes across time. We see it in ancient philosophers contemplating existence, or melancholic figures in Renaissance art, each embodying a state of profound reflection. The "melancholic" is an archetype who is plagued by deep thoughts. Here, Andrew is paired with his attribute, the saltire cross. Legend says he was crucified on it. The cross itself evolves from a symbol of shame and torture to one of redemption, its stark geometry becoming a beacon of hope. The engraving transcends mere religious illustration, tapping into our collective memory. The artist evokes both intellect and sorrow. These emotional symbols resonate deeply within us, a testament to their enduring power.

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