Portret van Jan van Beieren by Adriaen Matham

Portret van Jan van Beieren 1620

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print, engraving

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portrait

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medieval

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print

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pen sketch

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old engraving style

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history-painting

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engraving

Dimensions: height 130 mm, width 80 mm

Copyright: Rijks Museum: Open Domain

Curator: This is Adriaen Matham’s engraving, "Portret van Jan van Beieren," created around 1620. The subject, Jan van Beieren, is rendered with striking detail for a work on paper. What is your immediate impression? Editor: There’s an intriguing contrast. The subject projects confidence, almost arrogance, yet the visual language, the linear marks creating texture, speaks of a detailed and, perhaps, careful observation. The sharp diagonals of the hatching pull my eye in many directions. Curator: Indeed. The engraving’s lines articulate more than mere texture. Look at the fur trim, rendered to signify wealth and power; but consider what fur represented then, a connection to primal, even savage forces. We find nobility entwined with such complex signifiers of status and inherent, powerful nature. Editor: I agree, and that’s echoed formally. See how the repeating pattern on the cloak, the textures achieved with intricate hatching—the materiality calls attention to its making. Even the figure’s pose, directing the viewer's attention with an outreached hand, suggests both command and artifice. It’s a powerful composition, carefully orchestrated. Curator: Note too how the sword serves a dual role. Of course, it represents authority, a medieval necessity of rank and status; beyond this, the very manner in which it's held--the angle and grasp—evokes something more. This is less a casual prop, more a looming shadow, reminding us of potential violence always present, often lurking, in governance. Editor: Yes, and structurally, the sword leads our eye downward, grounding the figure, balancing the upward lift of his headdress. It prevents the gaze from wandering aimlessly, controlling the visual flow. Curator: These engravings, as portraiture, often transcend simple likeness; they become statements. Matham uses Jan van Beieren’s image to not just record, but to invoke symbols that perpetuate historical perceptions, both celebratory and cautious. What stays with me is that blend. Editor: For me, it's the formal balance – how the interplay of line, texture, and carefully constructed composition, speaks as eloquently as any explicit symbolism about power and the creation of a visual narrative. It has this staying power.

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