Dimensions: unconfirmed: 502 x 698 mm
Copyright: © The Piper Estate | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This photograph by John Piper, taken at an unrecorded date, captures a carved stone column, probably part of a church or other ancient structure. The way the stone is weathered makes me wonder about the labor required to carve it. What does this image say to you? Curator: I see an interplay between the material and the social. Consider the stone itself – where did it come from? Who quarried it? And what about the carvers? Were they local artisans or part of a larger, perhaps even exploitative, system? These questions refocus our attention onto the conditions of its creation. Editor: That’s fascinating. I hadn't considered the source of the stone, but now it feels like a crucial element of understanding the artwork. Curator: Exactly. By examining the materiality and the labor involved, we gain a richer, more critical perspective on this historical artifact. Editor: I will definitely think differently about artwork now!
Comments
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
This screenprint was enlarged from a photograph that Piper had made much earlier. He chose it to become part of his portfolio of prints called Stones and Bones. In it he assembled a range of his favourite works as a demonstration of his art and what it was about. The photograph was originally taken as part of a survey of the ancient fonts in British churches, which had not been studied before. These were some of the oldest sculpture in Britain, and Piper related them to the abstract paintings he made in the 1930s. Gallery label, July 2008