Pony in a Hurry 1929

Curator: Look at this print; Elizabeth Norton's Pony in a Hurry, dating from 1929 and held in the Harvard Art Museums. Editor: It’s so lively. The strong contrast gives a feeling of energy, almost like a child's drawing but with real skill. Curator: Precisely! The woodcut style, with those bold black lines, was popular at the time. It suggests a certain rural nostalgia, away from industrialisation. Editor: Horses themselves are powerful symbols of freedom and, of course, strength. The pony could represent the wild spirit within us, eager to break free. Curator: I think its simplicity allowed it to be widely circulated, and this speaks to the rising middle class decorating their homes with affordable art. Editor: I agree. It really captures a sense of untamed joy, doesn’t it? Curator: Absolutely. It's a fascinating glimpse into the artistic and social trends of the era.