Chair by Jack Bochner

Chair c. 1936

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drawing, paper, ink

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drawing

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paper

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form

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ink

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line

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academic-art

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decorative-art

Dimensions: overall: 27.4 x 22.3 cm (10 13/16 x 8 3/4 in.) Original IAD Object: none given

Copyright: National Gallery of Art: CC0 1.0

Curator: Right, so we’re looking at "Chair," a drawing from around 1936 by Jack Bochner. It depicts, unsurprisingly, a late Victorian chair, rendered in ink on paper. Editor: My first thought? It's like a fashion illustration, but for furniture! The pale pink cushion pops, but the overall feel is, well, restrained. A little uptight, maybe? Curator: Indeed. The meticulous linework hints at its function, which might have been a record of design or an intention to reproduce the chair for commercial purposes. Notice how the artist emphasizes form? The decorative carving, the curve of the legs… all point to an aspirational elegance typical of the Victorian era. The color is also interesting, being used in some portions of the image while being excluded from others. Editor: "Aspirational" is the perfect word. There's a definite yearning there, an almost nostalgic pining for a perceived golden age. The line work, for example - it feels less about the chair itself and more about the idea of the chair, like a memory half-faded. Also the scale is odd, I wish it were bigger to truly explore every crevice of it. Curator: And that’s where the symbolism gets intriguing. The chair, as an object, often represents status, authority, even comfort. In this case, with its clear design intent and historical references, it might also speak to cultural continuity. Think of the Victorian era's influence on our visual landscape even today – those romanticized notions of home and hearth. Editor: That’s so interesting – continuity. Perhaps that's why the pink resonates so strongly. It's an unexpected contemporary colour juxtaposed with what's obviously meant to be this classically beautiful design. The original artist knew, and probably laughed when thinking about it too. I’m not convinced I’d actually want to sit in the real-life chair; give me an interpretation any day. Curator: Well, looking closely at Bochner’s “Chair,” the image clearly presents to us not only aesthetic qualities, but also design thinking. Editor: It really does make one think about sitting, relaxing.

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