The Rest On The Flight Into Egypt 1758

Pompeo Batoni, painted ‘The Rest On The Flight Into Egypt’ using oil paints, a medium which allowed him to achieve smooth gradations of tone and color. Looking closely, we can see how Batoni’s technique emphasizes the soft, idealized forms and textures. Observe the way that the paint is blended to create a sense of flawless skin and flowing drapery. The ultramarine pigment in Mary’s cloak, derived from costly lapis lazuli, would have been a display of the patron’s wealth. Batoni’s meticulous brushwork and the precious materials used reflect the value placed on skilled labor and high-quality materials in the 18th century. The painting's smooth surface hides the work involved in its production, aligning it with notions of effortless grace valued by elite society. Examining the materials and processes involved in creating ‘The Rest On The Flight Into Egypt’ allows us to consider its cultural significance. It reminds us that paintings aren’t just images, but material objects embodying social values and artistic traditions.