Reproductie van een aquarel van een portret van onbekende vrouw met een waaier door Angelo Trentin by C. Angerer & Göschl

Reproductie van een aquarel van een portret van onbekende vrouw met een waaier door Angelo Trentin before 1892

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print, paper, watercolor

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portrait

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aged paper

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homemade paper

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paperlike

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print

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light coloured

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sketch book

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personal journal design

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paper

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personal sketchbook

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watercolor

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folded paper

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paper medium

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design on paper

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realism

Dimensions: height 122 mm, width 82 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Reproductie van een aquarel van een portret van onbekende vrouw met een waaier door Angelo Trentin," or a reproduction of a watercolor portrait of an unknown woman with a fan by Angelo Trentin, created before 1892. The original is housed here at the Rijksmuseum! What immediately strikes me is how delicately rendered this woman is, almost ephemeral, like a fleeting memory. What do you see when you look at this print? Curator: What commands my attention is the interplay between line and wash. Notice how the artist employs delicate hatching and cross-hatching to define the form of the dress, juxtaposed against the softer, more fluid watercolor washes used for her face and the background. How does that contrast contribute to the overall aesthetic impact, do you think? Editor: It's almost like he’s capturing her in different dimensions – a precise rendering versus something a bit dreamier, emphasizing perhaps the coquette aspect. The sharp lines against the washes makes her feel both present, yet somehow distant at the same time! Is there any indication of artistic influence at play here? Curator: Absolutely. Observe the emphasis on capturing light and shadow through varied tonal values. Trentin demonstrates an interest in representing the transient effects of light, reflecting the academic approach favored at the time, yet without entirely foregoing a certain attention to emotional impact through the sitter’s expression and pose. Editor: So the contrast and lighting are key to the reading of both form and expression. It all contributes to how the portrait conveys meaning beyond just the image of the sitter, very thought-provoking. Curator: Indeed, the genius of this work lies in the synthesis of technique and emotive representation. It provides us with an excellent example of the artist leveraging the materials and approaches to elevate what otherwise might be a standard portrait into something worthy of deeper examination.

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