Dimensions: height 224 mm, width 927 mm, height 252 mm, width 982 mm
Copyright: Rijks Museum: Open Domain
This photograph, "Ruins of Lille, View of Ypres", probably taken with a panoramic camera, captures a landscape in shades of gray and white, documenting a place ravaged. The texture is built from what seems like infinite points of information, creating a bleak but strangely alluring image. Look at the contrast between the pulverised foreground and the more intact buildings in the distance. The photographer, Panoramic Photo Co., doesn't hide the process; it's all about the image itself. The photograph is both transparent and opaque, revealing the devastation, yet obscuring any sense of hope. There's a haunting beauty in the ruin, a stark reminder of human conflict, and an echo of the work of photographers like Bernd and Hilla Becher who documented industrial structures with similar detachment. It’s a reminder that art, even in its most documentary form, leaves room for ambiguity and interpretation.
The industrial mechanised manner of warfare in the First World War wrought unprecedented destruction. Cities such as Lille suffered severe damage. The Belgium town of Ieper (Ypres) had been in the frontline for four years and was almost completely destroyed. This devastation was captured in panoramic images. The initial clearing up of the debris can be seen in both photographs.
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