Lady Seated at a Table after 1775

This evocative sketch was made by George Romney, most likely in the late 18th century, using ink on paper. Notice how Romney’s confident strokes define the sitter’s form. The choice of ink and paper is significant here. Unlike oil paint, which allows for layers and corrections, ink demands a direct approach. There is a sense of immediacy, of capturing a fleeting moment. Look closely, and you'll see the way Romney uses varying pressure to create depth and shadow. He is not only depicting a woman writing, but exploring the very act of drawing itself. Romney’s deft handling elevates the humble materials into something truly expressive. It reminds us that the value of art isn't solely in the cost of its components or the time it took to produce, but also in the artist's skill and vision. It challenges us to look beyond the subject matter, and appreciate the artistry inherent in the making.