Gezicht op kasteel Grosbois 1650

This print, made by Israel Silvestre in the 17th century, depicts a view of the Château de Grosbois. The geometric layout of the gardens, punctuated by right angles and straight lines, is the dominant visual symbol of man's control over nature. Consider how these gardens, emblems of power and order, echo across time. Long before Grosbois, we find similar aspirations for dominance in the ziggurats of Mesopotamia, the formal gardens of ancient Persia, or even the meticulously planned Roman camps. These spaces, whether temples, gardens, or military installations, were all designed to project authority and convey a sense of immutable order. This desire for control, deeply rooted in our collective memory, resurfaces in various forms throughout history, each time adapting to new cultural and psychological landscapes. It reveals a persistent, perhaps subconscious, human need to impose order onto the chaotic, uncontrollable forces of nature and life itself.