Dimensions: support: 762 x 629 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Tilly Kettle's "Young Man in a Fawn Coat," currently residing at the Tate, presents a rather dashing figure, don't you think? Editor: Indeed. The composition, dominated by neutral tones and subtle gradations of light, evokes a sense of quiet introspection. There's a certain stillness, almost a melancholy, that emanates from the canvas. Curator: Absolutely, there is also a quiet rebellion there, though. The way the light catches his eye--he's holding something back, maybe a bit of mischief. The fawn coat itself, slightly rumpled, speaks volumes, doesn't it? Not overly concerned with appearances, this chap. Editor: Precisely. The materiality of the paint, applied with delicate brushstrokes, softens the rigid formality typically associated with portraiture of this era, and it is rather effective. Curator: It makes you wonder what tales he could tell! Editor: One finds oneself pondering the social and artistic conventions Kettle both embraced and subtly challenged. An intriguing work, indeed.
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http://www.tate.org.uk/art/artworks/kettle-young-man-in-a-fawn-coat-n03962
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The era of Sensibility saw some important changes in male costume. The bright colours and ostentatious decoration sometimes favoured in earlier years were now seen as being rather suspect, indicating a luxurious or effeminate character. The ‘man of feeling’ would, by contrast, dress unostentatiously, in plain colours. A certain disregard for personal appearance was considered a sign of being preoccupied with better thoughts. The intense gaze which the painter had given to the unknown man in this portrait enhances this impression. Gallery label, September 2004