Young Man in a Fawn Coat by  Tilly Kettle

Young Man in a Fawn Coat c. 1772 - 1773

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Dimensions: support: 762 x 629 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Tilly Kettle's "Young Man in a Fawn Coat," currently residing at the Tate, presents a rather dashing figure, don't you think? Editor: Indeed. The composition, dominated by neutral tones and subtle gradations of light, evokes a sense of quiet introspection. There's a certain stillness, almost a melancholy, that emanates from the canvas. Curator: Absolutely, there is also a quiet rebellion there, though. The way the light catches his eye--he's holding something back, maybe a bit of mischief. The fawn coat itself, slightly rumpled, speaks volumes, doesn't it? Not overly concerned with appearances, this chap. Editor: Precisely. The materiality of the paint, applied with delicate brushstrokes, softens the rigid formality typically associated with portraiture of this era, and it is rather effective. Curator: It makes you wonder what tales he could tell! Editor: One finds oneself pondering the social and artistic conventions Kettle both embraced and subtly challenged. An intriguing work, indeed.

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tate 4 days ago

http://www.tate.org.uk/art/artworks/kettle-young-man-in-a-fawn-coat-n03962

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tate 4 days ago

The era of Sensibility saw some important changes in male costume. The bright colours and ostentatious decoration sometimes favoured in earlier years were now seen as being rather suspect, indicating a luxurious or effeminate character. The ‘man of feeling’ would, by contrast, dress unostentatiously, in plain colours. A certain disregard for personal appearance was considered a sign of being preoccupied with better thoughts. The intense gaze which the painter had given to the unknown man in this portrait enhances this impression. Gallery label, September 2004