Putto met hond by Cornelis Schut

Putto met hond 1618 - 1655

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drawing, ink, engraving

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portrait

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drawing

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ink drawing

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baroque

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pen drawing

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dog

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figuration

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ink

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engraving

Dimensions: height 35 mm, width 53 mm

Copyright: Rijks Museum: Open Domain

Curator: Ah, there’s something wonderfully mischievous about this little ink drawing. Editor: The sketch, believed to be crafted between 1618 and 1655, is attributed to Cornelis Schut, a prominent figure in Flemish Baroque. It’s currently held at the Rijksmuseum. What are your initial thoughts? Curator: That pup looks ready for anything! The kiddo seems less enthused... is he about to topple over the edge? The ink strokes feel so raw, like a quickly jotted dream. I keep getting drawn into the little details, like the pup’s furry outline versus the simple line of the kiddo’s blanket. Editor: The etching, with its delicate lines, speaks to broader themes of privilege and innocence. Note the Latin inscription "Cum Privilegio"–the artwork as commodity secured with the literal "right". It subtly comments on the accessibility and ownership of art. How might this resonate in contemporary discussions around art and social justice? Curator: Hmm. That tiny, bold lettering is definitely making me think about access, in a totally new way! This seemingly simple moment gains such depth now! I am imagining where this would have been displayed... or even tucked away... It seems at once precious and playful. I wonder how Schut conceived of them? As embodiments of purity? A commentary of boyhood? Editor: Baroque art often served to idealize childhood or evoke emotional responses through allegorical figures. This portrayal, however, avoids the highly polished aesthetic that was prominent, lending it an intimate and approachable quality. Can we separate innocence from social status within that framework? Or, does such raw presentation subtly obscure this? Curator: So many delicious tensions... The choice to use a more raw technique... what feels intimate, maybe it isn't, totally! Thanks for the deep dive, that opened my mind up wider. I see the dog differently now. Editor: And I'm moved by how art from centuries ago can stir our imaginations so vividly. It's a fascinating way to examine values across time.

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