Dimensions: diameter 2.5 cm, weight 6.87 gr
Copyright: Rijks Museum: Open Domain
Curator: Editor: So, we have before us Laurent Joseph Hart’s silver medal, “Erkenning van de onafhankelijkeid van het koninkrijk België door de XXIV Artikelen van de conferentie van Londen,” created in 1831. It’s rather small, but I'm intrigued by the level of detail in the crown on the front. What do you make of this piece? Curator: For me, the real interest lies in the material and its production. Silver, as a precious metal, already signifies value and importance. Who commissioned it and for what specific purpose was it created? The medal's existence speaks to the burgeoning of Belgian national identity but, thinking materially, who were the mint workers involved, and what socio-economic class did they represent? Editor: That’s interesting. I was more focused on the design and its symbolism, but thinking about the process of its creation opens up so many questions about who made it and why. Curator: Precisely! Was it mass-produced or individually crafted? These are crucial considerations. Looking at the text inscribed on the reverse side—ministries, signatories—one might argue it was part of a larger political and economic machinery, manufactured to celebrate power and diplomatic achievements. How were these distributed? Were they for politicians and diplomats to wear? Were workers paid a good wage? The answers give this medal weight as something other than decorative art. Editor: So, shifting our focus from the finished product to its origins reveals its role in a much wider societal structure. Fascinating. Curator: Exactly. By examining its creation, materiality, and use, we can understand how objects like these are woven into complex systems of labor, value, and power. It’s not just a pretty historical object, is it? Editor: Definitely not, seeing it as a product of its socio-economic environment changes my perspective entirely. I’ll be looking at materials and labour much more carefully now!
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