Henry IV, King of France (b. 1553, r. 1589–1610) and Marie de Médicis, his consort (1573–1642) 1603

This is Guillaume Dupré's bronze medal portraying Henry IV, King of France, and Marie de Médicis, his consort. Its creation took place during a period of significant religious and political tension in France. The intertwined profiles of Henry and Marie speak to the dynastic ambitions of the era, yet the power dynamics inherent in their marriage also reflect broader societal structures. Henry, a Protestant turned Catholic for political expediency, sought to stabilize his reign, while Marie, from the powerful Medici family, brought wealth and status to the French monarchy. Consider how Marie's presence asserts a narrative of power, yet her position behind Henry literally places her in a secondary role. The inscription ‘HENRI IIII R CHRIST. MARIA AVGUSTA’ indicates this medal was likely commissioned to celebrate and solidify their union. It is a potent symbol of power, love, and political strategy in a world shaped by religious conflict and gender inequality.