Rest on the Flight into Egypt by Christoffel Jegher

Rest on the Flight into Egypt 1606 - 1640

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print, etching

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narrative-art

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baroque

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pen drawing

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print

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etching

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landscape

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figuration

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line

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history-painting

Dimensions: height 468 mm, width 618 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have “Rest on the Flight into Egypt,” a print made between 1606 and 1640, masterfully etched by Christoffel Jegher. This work offers us a glimpse into a narrative rich with religious and historical context. Editor: Whoa, right off the bat, I'm struck by the contrast! It feels so serene and frantic all at once. Mary with baby Jesus looks totally zen under that leafy tree, while those little cherubs are wreaking adorable havoc! Curator: Absolutely! Considering the period, the print intertwines figuration and landscape in ways that speak to the Baroque's evolving artistic sensibilities. The 'Flight into Egypt' is, of course, loaded with symbolic weight, referencing themes of refuge, persecution, and the Holy Family's journey. The backdrop underscores the historical narrative, but it is essential to consider broader socio-political issues related to displacement and refuge. Editor: Okay, so knowing that deepens the serenity vs. chaos vibe. I mean, imagine escaping a massacre and finding even a moment of peace. Then those angels almost mocking you—in a cute way—totally humanizes the whole thing. Curator: The work engages significantly with the iconographic traditions and, contemporaneously, serves as a lens through which we can interrogate notions of family, religion, and power, especially regarding displaced populations. Editor: Right. The power thing hits hard, doesn’t it? Look at how Mary's portrayed: not some fragile victim, but sturdy, centered. A fierce calm, you know? And it almost feels like the artist, through the details in line and light, challenges these traditional patriarchal views...Maybe I’m just projecting here! Curator: No, not at all! It’s about understanding these images through the matrix of intersectional feminism as an interpretive strategy, acknowledging the historical realities alongside those frameworks, which grants us insight. Editor: I think seeing those dualities makes this work feel alive. The artist manages to make something centuries old shockingly relevant. Curator: I couldn't agree more. The way the piece uses themes central to the Baroque movement is a reminder to reflect on displacement in society now, giving "Rest on the Flight into Egypt" continued resonance.

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