Morning c. 1861 - 1897

Editor: This is "Morning," a watercolor by Jessie Willcox Smith, dating sometime between 1861 and 1897. The subdued palette gives it a peaceful feel, almost like a memory. A woman is dressing a young girl; the scene feels incredibly intimate and domestic. What do you see when you look at this piece? Curator: Oh, a glimpse into the quiet ritual of childhood! Smith captures that delicate balance between duty and tenderness beautifully. I see the Art Nouveau influences in the floral patterns, a charming, repeating echo, yet it doesn’t overwhelm. Does the child look entirely happy to be getting ready for the day, though? There's a touch of rebellion there, I think. What do you make of her expression? Editor: I see it now. It’s not a sunny, happy morning; there’s a slight pout, maybe a bit of reluctance in the little girl’s eyes. It does add a layer, doesn't it? More real, less saccharine. Curator: Exactly! Smith never shied away from capturing the true complexity of childhood, the mix of sweetness and slight discontent. Perhaps "Morning" is as much about the mother’s patient love as it is about the reluctant awakening of the child. Or perhaps, Smith saw herself in this daily drama? Food for thought. Editor: I never thought about it like that, viewing it beyond the surface of a simple genre scene. It's about the emotional atmosphere, that silent language between the figures, isn’t it? Thanks, that truly gave me a deeper insight! Curator: Anytime! It's paintings like this that whisper secrets, as long as we listen closely. There are so many potential narratives woven in with those soft, translucent washes!