Blad met zes rijen met verschillende voertuigen by Paul Reimund

Blad met zes rijen met verschillende voertuigen 1783 - 1815

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drawing, print, paper, engraving

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drawing

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water colours

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print

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landscape

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figuration

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paper

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geometric

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line

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engraving

Dimensions: height 305 mm, width 377 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Sheet with six rows of different vehicles," dating from 1783 to 1815. It’s a print made with engraving and watercolor on paper. What strikes me most is how it almost resembles a visual encyclopedia of carriages; each row presents a different type of conveyance. How do you interpret this ordered display of vehicles? Curator: It does read almost like a taxonomy, doesn’t it? Each row offering a specific kind of vehicle. For me, the charm lies in how it’s a compendium of progress, recording the advance and evolution of transit itself. The linear organization hints at something deeper – perhaps the societal stratification of transport, or even just a fascination with engineering solutions. Do you get a sense of that history unfolding before you? Editor: I hadn't considered the societal aspect, that's very insightful. It’s almost like reading a family tree, but for vehicles. Were these symbols loaded with class implications back then? Curator: Absolutely. A richly ornamented carriage speaks volumes compared to a simple cart. Beyond function, they served as visual cues – signs of status and even ambition. Consider the specific types of loads too - the barrels of goods compared to a pleasure carriage. It begs us to analyze the culture and economy driving such distinctions. Can you see how seemingly simple choices in what to depict hold significant social weight? Editor: Yes, it’s fascinating to think about how objects we often overlook – like these carriages – carry so much symbolic meaning. It shifts my perspective. Curator: Precisely! These images aren't just quaint pictures; they're coded with cultural meaning, and accessing that cultural memory enriches our understanding of the past. Editor: That definitely changes how I view this piece. I appreciate you pointing out those subtle details! Curator: And I you, for your astute observation about its encyclopedic nature, a perfect starting point to excavate this layered cultural artifact!

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