Zwei beieinander liegende Rinder 

Curator: I am struck by how incredibly peaceful this work is. They are so still. Editor: Absolutely, this is "Two Lying Cows Together," ink and pencil drawing currently held at the Städel Museum. Curator: The tranquility speaks volumes, especially if you consider the historical context. The pastoral scenes of the 18th century were often romanticized, obscuring the realities of agricultural labor and the social hierarchies of the time. Here, the focus on simple, bovine repose can be read as a silent commentary on value. What and who do we esteem? Editor: Yes, looking at the ink work, there is something quite elegant and, dare I say, endearing about the texture in this animal's coats. Each seems comfortable in its skin and company. This image is like looking at a warm memory on a cold day, there’s something elemental about that. The details might be minimal, yet the presence is powerful. Curator: Consider also the inherent anthropomorphism. We, as viewers, project our own desire for rest, community, and peace onto these animals. The image prompts us to consider how labor, capitalism, and agriculture shape our perceptions and understandings of value and being, extending into both human and animal existence. The cows could represent many silent laborers who contribute so much. Editor: It makes one consider the artist’s perspective too. What prompted them to spend their time immortalizing resting cows? There’s an appreciation there, perhaps even a bit of rebellion. It challenges our definitions of "important" art, doesn't it? Cows are very down-to-earth, you know? I respect them. Curator: Indeed, so this image, which seems on the surface straightforward, becomes loaded. What at first viewing may seem innocent, serene is a potent work reflecting identity and challenging conventional notions of value and what should be deemed art-worthy. Editor: Agreed, and in the quiet simplicity, the viewer discovers space for pondering profound realities, or even just some gentle reflection and respite, if that's where the current flows, you know? Curator: Yes, let's allow this reflection and moment of quiet continue to unfold in your own experience.