Landschap met een kudde dieren by Sir Francis Seymour Haden

Landschap met een kudde dieren 1868 - 1869

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print, etching

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print

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etching

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old engraving style

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landscape

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realism

Dimensions: height 138 mm, width 208 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Landscape with a Herd of Animals" by Sir Francis Seymour Haden, an etching from around 1868 or 1869. The texture created by the etching is so interesting to me. How do you see this work, knowing it's an etching? Curator: Immediately, the material choices and technique pull my focus. Etching, as a form of printmaking, inherently speaks to reproducibility and accessibility. Was this image meant to be widely disseminated? Think about Haden’s access to materials, to the means of production itself, as part of his privileged social context. Who was the intended audience, and how did the medium shape their engagement with this landscape? Editor: That’s a great point. I was just thinking about the final image, the landscape itself. Curator: But the landscape isn't neutral! Consider the labour involved. The acid, the plate, the printing press – all those things, and even the animals he depicts, reflect the material conditions of rural life. The artistic process transforms labor into a commodity, right? The artist’s skill and vision, the etcher's work - these are literally imprinted onto the paper. Do you see any traces of labor represented within the landscape itself? Editor: Well, there’s the suggestion of livestock grazing. It almost looks idyllic. Curator: "Almost" is key, isn't it? Etchings like these often romanticize the countryside, carefully obscuring the harsh realities of agricultural work and class divisions. Consider the potential purchasers of such an image - urban consumers desiring a taste of rural life without any of the dirt. Editor: So it’s less about the actual landscape and more about who could afford to consume it as an image? I never considered the audience in such detail. Curator: Exactly! It reframes our understanding, doesn’t it? Always interrogate the relationship between art and its material and social origins. Editor: That makes you think about all art and the economy surrounding art making in a totally different light. Thank you!

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