Caroline Hansine Louise Meidell, f. Meisler 1844

Editor: This is a marble sculpture from 1844. It's a portrait of Caroline Hansine Louise Meidell, created by H.W. Bissen. The first thing that strikes me is how lifelike she seems. The sculpture captures her with a certain grace and serenity, wouldn't you agree? What draws your attention to this piece? Curator: Serenity, yes! That’s a lovely way to describe it. I'm drawn to how Bissen managed to capture such an intimate likeness in cold, hard marble. It’s as if he breathed a soul into the stone. It's interesting to think about the societal expectations of women at the time too, don’t you think? Do you see that reflected in the work? Editor: Absolutely! I see a sense of composure, almost restraint, which probably speaks to the values placed on women's behavior in that era. But there’s a subtle softness as well, especially around the eyes, which hints at a deeper emotional life. I guess it’s trying to be both proper and accessible? Curator: Precisely! It's a beautiful dance, isn't it? And look at the way Bissen has sculpted the hair – those curls are incredibly detailed, practically defying the medium. It’s a statement of skill but also an invitation, wouldn't you agree, to come closer and examine the sculpture? What story do you think the commissioner hoped this sculpture would tell about them? Editor: I would think it tells of their wealth, obviously. It might tell of love, or some kind of respect they wanted to show this woman that meant enough for them to commission this bust of her! But thinking about what you’ve said, I feel like I have a richer understanding of both the sculpture and the period. Curator: Agreed! Sometimes, just stopping and *really* looking can open up a whole new world. This wasn’t just a portrait; it was a statement, an encapsulation of a life, and the sculptor’s skill. And that’s quite a lot for one bust!