1829 - 1832
Portret van Frederick William Herschel
Friedrich Wilhelm Bollinger
1777 - 1825Location
RijksmuseumListen to curator's interpretation
Curatorial notes
Curator: Here, we have a captivating portrait, identified as “Portret van Frederick William Herschel,” an engraving dating from 1829 to 1832. Editor: Instantly, I'm drawn to the cosmos framing Herschel. It gives this incredibly solitary, intellectual mood, like his thoughts are bigger than his immediate world. Curator: Absolutely. Consider the context of its creation. Herschel was a prominent astronomer, and this portrait, crafted using engraving techniques, reflects the printmaking industry of the early 19th century. It speaks volumes about the methods employed for circulating knowledge and commemorating figures of scientific importance. Editor: You're right, thinking about it, engraving provided means for wider accessibility; suddenly Herschel could appear everywhere— a relatable scientific persona, rather than a distant, inaccessible academic. I feel also a great respect here—his gaze seems quite melancholic as if, while staring at the universe, he became aware of the human insignificance. Curator: And observe the artist’s hand – Bollinger, was aware of trends. Note the strategic contrast. Look at Herschel’s coat and background, a symphony of black and white carefully applied to convey detail. And it gives a unique quality to the whole picture. Editor: It is all meticulously done, almost painstakingly so. Like someone who seeks resolution, maybe trying to explain universe. What’s more, I'd wager this portrait was somewhat romanticized—a kind of imagined meeting between man, science and immensity. And even there he looks dignified in a domestic manner. It makes me ponder his relationship to science! Curator: It seems to echo the societal shift. With print becoming common, we find new subjects and people given the role model position to sell an idea! This detailed engraving encapsulates a significant era. A time of new ways of viewing and circulating new ideas about society. Editor: Indeed. Looking at this, I now sense an odd mix of hope and quiet resignation, perhaps born from the endless expanse Herschel studied and the tools which popularised his work and personality. Curator: A fascinating consideration of process and societal impact; the essence of this engraving, no doubt. Editor: And, by opening our eyes a little bit wider, let him look towards immensity.