The Artist’s Studio by Hubert Robert

The Artist’s Studio c. 1760

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oil-paint, oil, sculpture

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baroque

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oil-paint

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sculpture

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oil

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oil painting

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sculpture

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genre-painting

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history-painting

Dimensions: 56.5 x 72.7 cm

Copyright: Public Domain

Curator: "The Artist's Studio," dating back to about 1760, by Hubert Robert, now residing here at the Städel Museum. It’s an oil painting capturing…well, an artist's studio. Editor: The immediate impression is the light – it feels hushed and observant, as though the painting itself is breathing. The artist caught at work and frozen within this hushed space feels like time bending around you. Curator: Observe how Robert frames the space using a complex structure of arches and columns, dissecting it. This interplay, along with the light you so keenly noted, creates a structured depth, subtly guiding the viewer's eye. The texture in the architectural elements introduces the charm and history of this interior space. Editor: I get this almost…ghostly, ethereal impression here, like watching the scene of a busy creative space captured with charcoal and fading as you are witnessing it. See that painter in the foreground; that little flash of color and gesture amongst all this age and geometry. I wonder what tale is on his canvas? Curator: Note the sculptural elements interspersed throughout the composition: fragmented torsos, classical busts. Robert strategically deploys these objects, to reflect on artistic lineage, and the construction of meaning through material and form. Editor: So it's less a depiction of reality, and more a meditation on the act of creating? An illusion inside of illusion… It's really making my head spin as the studio becomes some imagined realm of inspiration. Curator: Precisely. Robert is deeply engaged with the dialogue between history and the present, as the structure points to antiquity, juxtaposed to a functioning studio of the present. This creates an interplay of temporality. Editor: What a playful staging of inspiration then. In fact, you find that spark flickering, defying all that rigid architecture. All that remains now for me is imagining the conversations and music and movement happening, while the clock ticks. Curator: A very poetic summation, and indeed captures a core component to how Robert engages in constructing meaning through pictorial composition. Thank you. Editor: Likewise. I feel I've watched this space exist for much longer with your help.

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Comments

stadelmuseum's Profile Picture
stadelmuseum over 1 year ago

Hubert Robert came to Rome, the Eternal City, in 1753 in the entourage of the French ambassador. His patron, the Duc de Choiseul, recommended him for a place at the prestigious Académie de France. This painting probably dates from Robert’s period of study in Rome, for while it is artistically ambitious there are flaws in the perspective. It is perhaps no accident that he has depicted an artist working on a relief: Robert, who was to become such an important painter of architecture and townscapes, had learned drawing from a Parisian sculptor.

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