Untitled (legs of patient) c. 1945

This gelatin silver print, “Untitled (legs of patient)” was made by Robert Burian, though we don’t know exactly when. Photography, of course, is a process defined by its materials: light-sensitive emulsions, chemical developers, and the means of mechanical reproduction. The gelatin silver print, in particular, became a dominant form in the twentieth century, prized for its tonal range and archival stability. Here, Burian’s mastery of the medium is evident in the stark contrasts and the way light and shadow define the intimate pose of the patient. Photography has a deep connection to industry and labor. It provided a new means of documentation and surveillance, transforming how we see ourselves and the world around us. In this image, the clinical gaze of the camera captures a moment of vulnerability, raising questions about the relationship between patient and practitioner, and the power dynamics inherent in medical treatment. By focusing on the materiality and social context of this photograph, we can move beyond formal analysis and consider the broader implications of its creation and consumption.