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Jules-Alexandre Grun created this poster for Loïe Fuller, the American dancer, around the turn of the 20th century. Grun uses lithography to capture Fuller's ethereal stage presence. Fuller was known for her innovative use of silk costumes and electric lighting, which transformed her performances into mesmerizing spectacles. This poster emphasizes the spectacle, depicting Fuller in motion, her voluminous gown swirling around her, creating a sense of fluidity and transformation. Grun used red and black to emphasize the spectacle and Fuller’s name, dwarfing Fuller’s body to emphasize that her persona is the real focus of the piece. But it’s also interesting to consider who Loïe Fuller was outside the theater: what were her economic circumstances? How did she get her start? Investigating this piece means thinking about the dance halls and theaters of the Belle Époque. By examining the context in which this poster was made, the role of celebrity, the rise of modern dance, and the social conditions that shaped artistic production, we can gain a deeper appreciation of the cultural significance of both Grun and Fuller.