Card Number 703, Lucy Webb, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes 1880s
drawing, print, photography
portrait
drawing
figuration
photography
pencil drawing
19th century
Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)
Copyright: Public Domain
Editor: Here we have a rather fascinating advertising card from the 1880s, “Card Number 703, Lucy Webb, from the Actors and Actresses series (N145-3)" by W. Duke, Sons & Co. It's quite striking - the figure almost appears to be floating due to the artist’s photographic manipulation, in a way. What catches your eye when you look at this, as an art historian? Curator: The image's formal arrangement immediately presents a study in contrasts. Consider the textural differences: the soft, flowing hair juxtaposed against the hard lines of the steps. Note the tension between the subject’s curves and the rectangular shape of the card. The figure is positioned off-center, creating a dynamic imbalance, further accentuated by the stark tonal range. Editor: Interesting! So, it's more about the relationships between the shapes and textures than who Lucy Webb was? Curator: Precisely. We observe how the composition compels the eye to travel. The lines of the steps, the curve of her pose—each element acts as a guide, leading us through the frame. Notice how the sepia tone washes over everything, unifying the diverse textures and focusing the eye. Editor: I see that now, especially how the sepia makes all the elements harmonize, rather than contrast wildly. It does create a sense of unity. Curator: Yes. The absence of vibrant colors further directs our attention to the photograph's formal structure, the interplay of line, shape, and texture taking center stage, elevating it beyond mere representation. Editor: I definitely appreciate the care and artistry used in what was originally advertising material. I will certainly think of composition differently now. Curator: Indeed. By examining the photograph’s inherent visual language, we unlock deeper levels of understanding. The advertisement is no longer simply a means to sell cigarettes but is transformed into a complex dialogue of form and presentation.
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